Reviving a festival

The Hashiramatsu 柱松 (literally, ‘pine trunks’) is an event in which three columns of tied bamboo or pine branches are stood upright and lit on fire.  The first to ignite determines the success (agricultural, economic, etc.) of the coming year.  Traditionally coinciding with the first day of Obon, it may have also been believed to invite down the local deities and ancestral spirits residing in the mountains.   The festival is held every three years at Togakushi and dates back to the late thirteenth century.  Well okay, that chronology is a bit misleading.

In the wake of major alterations to religious institutions by the government in the early Meiji period, the Hashiramatsu ended in the 1870s.  During this time, the three major temples on the mountain and their cloisters transformed from combinatory sites of Buddhism, Shinto and Shugendo into state-supported Shinto shrines.  Shugendo itself was proscribed from mountain sites around the country, which helps to explain the disappearance of this shugen-influenced ritual from Togakushi.

But after a thorough investigation by local scholars of extant sources related to the Hashiramatsu at Togakushi as well as other mountains (where it has continued uninterrupted), the festival has been recently revived.  Seeing the Togakushi Hashiramatsu offers a glimpse into the rich symbiosis of religious influences that were historically characteristic of practice at Togakushi and other sites around the country.  It may also suggest the future direction of the culture at Togakushi Jinja, given the community’s increasing re-engagement with its vibrant past.

(Click on photos to open gallery mode.)

The ceremony ends with the head priest seeing off the mountain deities and spirits as they return to the mountain.

Again, the event is held only once every three years, so if you get the chance, be sure to check it out in 2015!

About calebscarter

I specialize in Japanese religions within the broader context of Buddhism and East Asian cultures. Within these fields, I focus especially on Shugendō, a mountain-based tradition in Japan developed largely from esoteric, Zen and Pure Land Buddhism with additional influences from Chinese religions and local spirit worship (later identified as Shintō). I approach these subjects from an interdisciplinary perspective that draws on literary, economic, political, social and intellectual history. I received my Masters (2008) and PhD (2014), both in Buddhist Studies from UCLA, with a BA (2000) in Philosophy from Colorado College. I currently teach full-time for the Department of Asian Languages and Cultures at UCLA. Outside of research and teaching, I play a three-stringed instrument from Okinawa called the sanshin and spend time with my family at nearby playgrounds and campgrounds. I also love the outdoors, especially climbing in the mountains—an orientation that has in many ways shaped my current intellectual path. View all posts by calebscarter

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